I worked on two tracks on this album, along with a number of other songs including a later single "Laser Love". The track "I Love to Boogie" was recorded and mixed in a single day at Decibel Studios in Stoke Newington, London N16. The studio was very small and funky; Marc liked it because it reminded him of the old Sun Studio in Memphis where a lot of early rock and roll records were made. The single was mastered from what was originally intended to be a rough mix which Marc took home. It was mixed in about fifteen minutes by myself and Marc. I just threw up the faders; there were no computers in those days, and we went "OK that'll do". Mick O'Halloran, Marc's roadie, was going "Hurry up, we've got to leave now"; I think Marc had an appointment or something. () We got Dino's Fender Rhodes piano to distort a bit by cranking up the input on the desk, crude but quick and effective. Try doing that on a modern digital desk! Anyway, Marc liked the mix so much that it was released just as it was, much to my surprise, but it still sounds good thirty years later. The master mix was also done at 7.5 inches per second as I recall, rather than the usual 15 ips. This was so that Marc could play it on his reel-to-reel at home that night. This, along with the fact that the multitrack was an Ampex two-inch 16-track machine rather than the 24-track which was more common by then, helps to give the track its beefy sound. The other song on the album we did at Decibel was "Universe", which was subsequently overdubbed and mixed at Air studios by Mike Stavrou, I think. These were also the last tracks that Marc did with the old rhythm section of Steve Currie and Davy Lutton before Tony Newman and Herbie Flowers came on board.